"Do naina ek kahani," Masoom (1983)

Today's Shabana-gaana is a lullaby from Shekhar Kapur's beautiful, heartbreaking film Masoom. In the song, "Do naina ek kahani," Shabana Azmi's character Indu puts her two little girls to bed (the elder is Urmila Matondkar) while the sad little boy (Jugal Hansraj) who is staying with them against Indu's will (as he is her husband's illicit son) looks on amidst lonely reminiscence of his own deceased mother. The song is pretty and the picturization gives a good feel for the heartrending tone of the movie. Click here to watch the song.

I offer my own meager and fairly literal translation here as well:

Do Naina Aur Ek kahani

Do nainaa, ek kahaanee
Two eyes, a story
thodaa saa baadal
a few clouds
thodaa saa paanee
a little bit of rain
aur ek kahaanee
and a story

chhotee see do jeelon mein
wo bahatee rahatee hai
The story flows out in just short phrases
koee sune yaa naa sune
kahatee rahatee hai
It will keep being told
Whether heard or unheard
kuchh likh ke aur kuchh zubaanee
something written, and something spoken

thodaa saa baadal
a few clouds
thodaa saa paanee
a little bit of rain
aur ek kahaanee
and a story
Do nainaa, ek kahaanee
Two eyes, a story

thodee si hai jaanee huyee
It’s a little bit familiar
thodee see nayee
A little bit new
jahaa ruke aansoo
wahee pooree ho gayee
The story is complete
when your tears stop
hai to nayee fir bhee hai puraanee
It’s new, and yet also old

thodaa saa baadal
a few clouds
thodaa saa paanee
a little bit of rain
aur ek kahaanee
and a story
Do nainaa, ek kahaanee
Two eyes, a story

ek khatm ho to
doosaree yaad aa jaatee hai
When it ends,
it calls to mind another story
hothhon pe phir bhoolee huyee
baat aa jaatee hai
A forgotten tale that comes to the tip of your tongue
do nainon kee hain ye kahaanee
This story of two eyes

(Thanks to cheesetikka at the BollyWHAT? forums for guidance with the translation)

Javed Akhtar sahib

I said I would talk a little about Shabana Azmi's husband, Javed Akhtar. Many of you reading this know who he is; for those who may not, here is a little background.




Javed Akhtar is an absolute rock star. The influence he has exerted on Hindi cinema - and, by extension, on a substantial portion of Indian popular culture - cannot be overstated, I think. He came to prominence in the 1970s, with Salim Khan, as part of the scriptwriting team Salim-Javed. Together they wrote the films that defined Amitabh Bachchan's "angry young man" persona, and many other influential and popular films to boot. If you are a fan of Hindi films of the 70s, chances are they wrote some of your favorites - Zanjeer, Deewaar, Seeta aur Geeta, Don, and Sholay, just to name a few.

In the early 80s the Salim-Javed partnership ended, and at the same time Javed sahib shifted his focus from screenwriting to songwriting. He still wrote screenplays from time to time, but it is as a lyricist that he has made most of his contributions over the past 20 years or so. If you are a fan of modern filmi music, chances are he wrote some of your favorite songs - lyrics for 1942: A love story, Lagaan, Dil chahta hai, Veer-Zaara, and last year's Umrao Jaan, just to name a tiny fraction.




Javed sahib is also an outspoken supporter of secularism and other progressive ideals. One of the ways in which he supports his ideals is as spokesman for the organization Muslims for Secular Democracy. (When I heard Javed sahib and Shabana ji speak last year, Javed sahib made a lot of comments that illuminated his strong views and ideals. You can read my detailed notes on those comments here, on my general-purpose blog Geek of All Trades.)

Javed Akhtar is also father to Farhan Akhtar, who made Dil chahta hai and Don: The Chase Begins Again, among others; and to Zoya Akhtar, who co-produced Honeymoon Travels Pvt. Ltd. with her brother.

As an friend of mine once said, what do they put in the water in that household?




Here's a nice interview with Javed sahib published earlier this week in the Hindustan Times. The best part is where I learn that at the moment I have something in common with Javed sahib and Shabana ji - a disruptive home remodeling project:

What have you been so busy with lately?
I've been shooting one day a week for Indian Idol. I've also been constantly travelling in and out of the city. I'm doing up our house with Shabana. It's taking up a lot of our time. Right now, it's in a mess.

My home too, Javed sahib - mine too.

Keeping at it

When you are working for change, if you can build into your expectations the possibility that change will not happen in your lifetime, and still you continue that work, then there will be no room for frustration.

-- Shabana Azmi

(Source: Dev Benegal's documentary Shabana; actually, my handwritten notes from an aborted screening of it that I attended last year, so the quotation may not be completely correct.)

Looking sharp

The imaganatively named Bollywood Blog, a gossip website, has pictures of Shabana Azmi at the event the Times of India mentioned the other day, the launch of the new album of ghazal singer Sharda.



Looking fabulous, as always. Love the gold and cross-weave in the sari pallu, especially the way it looks against the red. Here are the rest of the pictures.

"What's your secret, Shabana?"

This byline-less short piece in the Times of India is one of the funniest items I've seen in a while:

REALLY, what is with Shabana Azmi and her incessant socialising these past few weeks? The actor-cum-socialist has been spotted at practically every event about town, be it a book reading, a music function, a play or a dinner. And while we're not complaining, we would really like to know the secret behind her energy!

Really!

Sounds Like Power guestbook

I probably should have done this weeks ago, but when I first started this blog - actually today is the first monthiversary - I didn't know how long it would last, or if anyone would care. But now I can see from my logs that one or two dozen people are stopping by each day, and apart from the handful of you I know about, the rest of you disappear without a trace.

I'd love to know who you are. So, if you feel like it, drop a comment - tell me where you are, what brought you here, your favorite of Shabana Azmi's films, whatever you like. I'm curious to know who is out there on the other side of the computer screen.

Oh, and just to avoid having a post without any Shabana Azmi related content at all, here is a smoldering gratuitous screencap from Ek din achanak. Very pretty!

News miscellany

Here are a handful of tidbits from the news - what Shabana Azmi is up to these days:

• Shabana Azmi was one of the most enthusiastic cheerleaders for the campaign the resulted in the Taj Mahal being named a new wonder of the world. According to the Times of India, though, her work stumping for the Taj has only just begun. She wants to see more attention directed both to preserve the Taj Mahal and to make it more readily accessible to visitors. For Shabana ji, the Taj Mahal is a powerful symbol of Indian national pride. "We need to be made aware that the monument won't endure our complacency forever," she said. "And, yes, I intend to recreate a consciousness about its value to us."

• Also, IndiaPRwire reports that Deutschbank is offering a 40 lakh prize to recognize creative solutions to urban infrastructure problems, and Shabana ji will serve on the jury, along with an international collection of architects, urban planners, and others. It is undoubtedly Shabana ji's work with Nivara Haq, her organization that has built thousands of homes for displaced slum-dwellers, that earned her a spot on this committee.

• Finally, there is this very sweet video in which Shabana ji and her husband Javed Akhtar talk about their contributions to some paintings for a charity auction. Incidentally, I admire Javed sahib very much, and I consider that admiration to fall within the scope of this blog - so look for more about him in the future.

Actor, activist ... playback singer?

Instead of posting a song video for this week's Shabana-gaana I want to talk a little about Shabana Azmi's own singing.

Shabana ji is by all accounts a naturally gifted singer and I wonder what might have happened if she had put her mind to that instead of to acting. She famously studied Carnatic singing for her role in Morning Raga, in order to make sure she looked the part. And while a crash course in Carnatic singing does not a Carnatic singer make, I've read that Shabana ji can hold her own in that arena. While she did not sing playback on that film's soundtrack, she did perform the songs live at the film's premiere (or some such event) to enthusiastic response.

So where can a hungry fan hear Shabana Azmi sing? There are a few recordings out there but I haven't had much luck in tracking some of them down. She sang her own playback for the 1986 film Muzaffar Ali film Anjuman. I've never seen any sign that this film is available on DVD, nor had I been able to find any of its songs - until recently, when I discovered that one of them, "Gulab jism ka yunhi" is now available at the iTunes music store. Best 99 cents I ever spent! Shabana ji sounds so sweet - it's just wonderful. She sounds like a regular person with a pretty voice - not at all like a professional playback singer. It's really quite lovely, and well worth checking out. (IMDB also credits Shabana ji as playback singer on her 1984 National Award winning performance in Paar, another film that I'm dying to see and that I've not been able to get my hands on.)

More recently, Shabana ji can be heard singing a short, sweet tune in a peaceful moment in Honeymoon Travels Pvt. Ltd. And, I am quite certain that she sang the song that plays over the opening credits in Shyam Benegal's Hari-bhari - though she is not credited as a playback singer, I am nearly positive that it is her voice - listen for yourself.

An intimate interview

Thanks so much to SLP reader fadista da mouraria who sent me a rich collection of interviews and articles about Shabana Azmi. Some of them I have seen before, but others are new to me, and they will provide material here for weeks to come.

Today I begin with a set of reminscences so intimate that it made my eyes moist. In this 2004 interview, Shabana ji ventures into some intensely personal topics. The interview begins with some anecdotes from childhood that I've heard before, but then turns to subjects that had for me previously only been matters of speculation. I feel grateful to Shabana ji for offering this window into aspects of her life that are none of my business and yet irresistably fascinating to me.

There's some fun stuff in there too. This made me smile and smile:

I had a crush on Shashi Kapoor: Shashi and Jennifer were family friends. Prithviraj Kapoor lived next door to my parents' house and, every Sunday, when Shashi visited his father, I would buy a Re-1 photo of Shashi and get him to sign it. When I was selected to act with him in Fakira, I panicked — he was my big hero!

Well, one could do worse than have a crush on the beautiful Shashi Kapoor. I wrote here about Fakira just the other day. In it Shabana ji's character Neeta or Geeta (depending upon when you ask her) is a police inspector who plans to catch the vigilante bandit Fakira, played by Shashi, by going undercover and pretending to fall in love with him; it turns out she can't control her emotions as well as she hoped. It must have been a fun and overwhelming role for Shabana ji to play, at just 24 or 25 years old, a romantic lead opposite her childhood hero.

Read the rest of the interview here.

Sounds Like Power metapost

Well, it's been almost four weeks since the launch of Sounds Like Power, and so far it's been great fun for me - I hope for you too.

You may have noticed the random banners at the top of the page - hit reload a couple of times if you haven't. I like this silly feature - it's a way of keeping some of my favorite images of Shabana ji up front and frequently seen. Thanks to Beth for pointing me in the direction of the code I needed to hack to make this work, and also for making some of the banners!

You'll also have noticed a few of the regular features, like Shabana-gaana and the gratuitous screencaps. Substantive commentary on Shabana Azmi's films can be found at Filmi Geek or via the links in the sidebar, but I'll try to augment those here from time to time with comments that are specific to Shabana ji's work in a particular film, rather than to the film generally.

Coming soon, I'll start posting the updated version of the Geek's Guide to Shabana Azmi, which made its debut as a posting on the BollyWHAT? forum but actually was conceived in response to a comment Daddy's Girl made on one of my posts at Filmi Geek. The Geek's Guide is neither definitive nor authoritative; it's just my breakdown Shabana ji's films (well, the 25 or so that I've seen at this writing) into several categories that I hope can help guide the selections of those who wish to dive deeper into her career.

In addition to those regular features, I'll keep posting news and biographical tidbits as they crop up and strike my fancy. Please let me know if there is anything you would like to see - and please, if you come across an interesting news story or interview pass it along - please don't assume I've seen it. I look forward to your feedback and comments. As far as I know, Sounds Like Power is the only active blog or fan site on the internet devoted to Shabana Azmi, and so I feel that I am not only indulging my own fan-girlish impulses, but also filling a web-wide need.